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Fela Kuti Fela is a man of contradictions. That's why he's so intriguing. People who love him will forgive the flaws in him. His songs can last up to 20 minutes, and are sung in a dense, almost incomprehensible Pidgin English. His music is influenced primarily by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with horns and guitars. He was a musician Fela Kuti embodied that music can be a tool to influence the world. He used his music to advocate for social and political changes, and his influence can be present in the world today. Afrobeat is a form of music that blends African and Western influences. Its roots are in West-African high-life and funk However, it has since evolved into its own genre. His political activism was ferocious and unflinching. He made use of his music to speak out against corruption in government and human rights violations. Songs such as “Zombie” and “Coffin for the Head of State” were bold criticisms of the Nigerian regime. He also made his home, Kalakuta Republic, as an enclave for political activism as well as a gathering place for like-minded people. The play features a huge portrait featuring his mother, who died in the past Funmilayo ransome-Kuti. She was a prominent feminist and activist. The actress who portrays her is Shantel Cribbs, who has successfully depicted her importance in the life of Fela. The play also explores her political activism. Despite her deteriorating health she was unable to get tested for AIDS and instead opted for traditional medicine. He was a musician Fela Ransome Kuti was a complex individual who utilized music to bring about political change. He is credited as the creator of afrobeat. It was an invigorating blend of dirty funk and traditional African rhythms. He was a fierce critic of Nigeria's religious and governmental leaders. Having been raised by an anti-colonial feminist mother and a feminist father, it's not a surprise that Fela was a fan of political and social commentary. His parents hoped that he would become a doctor however, there were other goals for him. While he started in a more apolitical highlife vein, a trip to America would change his outlook forever. The exposure to Black political movements and leaders like Malcolm X and Eldridge Cleaver had a profound effect on his music. He embraced an African-centric philosophy which would inform and guide his later work. He was a writer. While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. The experiences inspired him to establish an activist movement known as the Movement of the People, and to compose songs that reflected his ideas about black activism and political consciousness. His philosophies were expressed through the method of yabis, which is a form of public speaking which is referred to as 'freedom of expression'. He also began imposing an ethical code of conduct on his band. This included refusing to take medication from Western-trained physicians. Fela returned to Nigeria and began to build his own club in Ikeja. The frequent raids by officers and police were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area surrounding the club with hard drug particularly “bana” and “yamuna” (heroin). Fela kept his integrity in spite of this. His music is a testament to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is a remarkable legacy that will last for generations to be. He was a poet Fela's music used sarcasm and humor to bring attention to political and economic issues in Nigeria. He also mocked his fans as well as the government and himself. During these shows, he referred to himself as “the big dick in the little pond.” These jokes were not viewed lightly by the authorities and he suffered repeated arrests and beatings in the hands of authorities. He eventually renamed himself Anikulapo which translates to “he is carrying death in his bag.” In 1977, Fela released a song called “Zombie” in which he contrasted soldiers with brainless zombies that followed orders without any question. This offended the military and they raided the Kalakuta Republic, burning it down and beating its inhabitants. During the raid, Fela's mother was thrown out of her second-floor by the window. Fela developed Afrobeat during the years that after the country's independence. Afrobeat is a music genre that combines jazz and indigenous African rhythm. His songs criticized European culture imperialism and supported African traditional traditions and religions. He also criticized fellow Africans who sabotaged their country's traditions. He stressed the importance of human rights and freedom. He was a rapper A trumpeter, saxophonist and composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He grew up listening to jazz music, rock and roll and traditional African music and chants which helped form his unique style of music. After an excursion to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work profoundly. Fela's music became a political instrument upon his return to Nigeria. He was critical of the government of his native country and argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human rights abuses, and was repeatedly arrested for his criticism of the military. Fela also openly advocated the use of marijuana, known as “igbo” in Africa. He often held public discussions at Afrika Shrine, also known as “yabis” where he would slam government officials and promote his beliefs on freedom of expression and the beauty of women's bodies. Fela also had a group of young women who performed in his shows and also served as vocal backups for him. He was a dancer Fela was a master of musical fusion. He incorporated elements from jazz, beat music, and highlife to create his own unique style. He influenced a generation of African musicians and was a vocal critic of colonial rule. Fela refused, despite being tortured and arrested by the Nigerian military junta, as well having witnessed the murder of his mother. He died in 1997 of AIDS-related complications. Fela was a prominent political activist who opposed the oppressive Nigerian Government and supported the principles Pan Africanism. His albums, including 1973's Gentleman focused on the issue of oppression by both government bodies and colonial parties. He also pushed for black-power and criticised Christianity, Islam and other non-African imports that divide the people of Africa. Shuffering and Smiling is the title track from the album released in 1978. It is about overcrowded public buses full of people who are poor, “shuffering and smiling”. Fela was a fierce anti-religious hypocrisy. The dancers of Fela were an excellent match for his music. They were vivacious, sensual, and regal. Their contributions were as important as Fela's lyrics. He was a political activist Fela Kuti utilized music as a tool to confront unjust authorities. He adapts his knowledge of American jazz and funk to African styles and rhythms making music that was ready for a fight. The majority of his songs start as slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency. Contrary to the majority of artists, who were hesitant to expose their political beliefs, Fela was fearless and unbending. He stood in his convictions even when it was dangerous to do so. His mother, Funmilayo Ransome Kuti, was an avowed feminist who led the Nigerian Women's movement. His father was both a protestant minister, and the head of the teachers' union. He also established Kalakuta Republic, a commune and recording studio that was an expression of resistance. The government raided the Kalakuta Republic, destroying property and severely injuring Fela. He refused to give up, and continued to speak against the government. He passed away from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his music and political legacy. He was a father Music is often seen by many as a form of political protest. Artists use lyrics to call for change. However, some of the most powerful music-related protests don't rely on words at all. Fela Kuti is among these artists, and his music still resonates today. He pioneered Afrobeat which combines traditional African rhythms and harmonies with funk and jazz, being influenced by artists such as James Brown. Fela's mother, Funmilayo Ransome-Kuti was a militant and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria which served its entire population. Seun Fela's son is carrying the legacy of his father through the band Egypt 80. The band will be touring the globe this year. The Egypt 80's music combines the sound of Fela with a sharp critique of the power structures that exist today. accidentinjurylawyers will be released at the end of March. A large number of fans gathered to pay their respects at the funeral in Tafawa Balewa square. The crowd was so big that police were forced to block the entrance to the venue.